Filmmaker Mamoru Hosoda showcases a well-known fascination with stories involving temporal journeys. The creative mind behind beloved films like The Girl Who Leapt Through Time, Mirai, and Belle crafts fantastical epics in which protagonists journey through both time and parallel dimensions. His most recent cinematic offering, Scarlet, is absolutely no different.
Set to arrive in U.S. theaters early next year, this bold reinterpretation of William Shakespeare's Hamlet follows Princess Scarlet, a fallen warrior thrust into a limbo-like realm because she could not to avenge her father’s assassination by her uncle, Claudius. Accompanied by Hijiri, a paramedic from modern-day Japan whose kindness challenges her bloodlust, Scarlet journeys across surreal war zones, battling ghostly soldiers, generational hatred, and the allure of the “Void” as she pursues absolution and a path home.
“The geopolitical state of the world post-pandemic” and “the idea that people can’t forgive these days” are things that “bring a lot of worry,” Hosoda has stated.
Unsurprisingly, Hosoda does more than enough to adapt this classic plot uniquely his. Yet what makes Scarlet unique is the way the director merges his signature style with this timeless narrative of retribution to champion international reconciliation.
Embodied by Scarlet, Hosoda portrays a resistance to mercy, although in her specific case, those feelings seem entirely justified. As Scarlet ultimately confronts Claudius, she must choose between clinging to hatred or embarking on a life beyond vengeance.
Countless individuals continue to struggle from the disruption of the global lockdowns, and its legacy has created a planet profoundly split. Consequently, the younger generation, who grew up during lockdowns, has become notably distrustful. Hosoda clarifies that Scarlet is “a positive message to the younger generation,” noting that the way Hamlet shows the never-ending loop of revenge is “still relevant today.”
The crucial distinction, however, the primary divergence between Scarlet and the drama that inspired it lies in what each protagonist's father imparts to them. In Hamlet, the ghost of King Hamlet urges his son to seek vengeance, whereas the dying wish of the king in Scarlet are a heartfelt appeal for his daughter to forgive.
“It’s a confusing directive because after everything that happened to her family,” Hosoda observes. “She wonders how it can be so easy to forgive. The question posed to Scarlet is how to process the energy, how to forgive. There are many correlations to our current international relations, and I wanted that echoed in the screenplay.”
Whereas Shakespeare’s play follows its protagonist's slide into insanity, Hosoda sought to offer a uplifting transformation. He establishes obvious comparisons between Scarlet and today’s youth — their passionate beliefs, their unforgiving anger, their struggle to find understanding in a broken world.
Much of contemporary media embraces pessimism, but Scarlet pierces that gloom with visual splendor and a rare glimmer of hope. It approaches theatricality, but its message resonates deeply: a refreshed classic with something urgent and sincere to say.
The film concludes with a universal wish of mankind to find a solution “because of the cost of war.” Through the odyssey of Princess Scarlet, Hosoda presents not a easy fix, but a possibility of a way ahead built on forgiveness as opposed to ceaseless conflict.
A tech enthusiast and writer passionate about emerging technologies and their impact on society.